Bronzes

Antique Japanese Champlevé vase 14.75 tall x 10.5 wide x 7 base 

This striking piece is a Japanese Champlevé vase, from the late Meiji period (circa 1880–1910). It reflects the meticulous artistry and global appeal of Japanese metalwork at the height of its influence in both domestic and export markets. 

Material: Gilded bronze or brass with champlevé enamel inlays.

Technique: The surface design is cast or engraved into the metal and filled with vivid enamel colors. This is different from cloisonné, where wires are used to form the enamel cells.

The upper band features mythical or Buddhist-influenced patterns, with floral and scrollwork motifs in rich turquoise, blue, red, and white enamel.

The central register showcases large chrysanthemum and lotus flowers, both sacred in East Asian art. These flowers are symbols of purity, renewal, and imperial heritage.

The handles, shaped like stylized dragon or chimera heads, suggest protective symbolism and may hint at Taoist or Shinto influences.

The geometric background texture adds depth and reflects the Japanese fondness for detail and surface richness.

Historical Significance: During the Meiji Restoration (1868–1912), Japan underwent rapid modernization and began actively trading with the West. This sparked a renaissance in decorative arts as Japanese artisans adapted traditional forms for foreign collectors. Champlevé enamelware became one of Japan’s luxury exports, admired in World’s Fairs and international exhibitions, especially in Europe and America. These pieces were often collected by aristocrats, diplomats, and wealthy merchants eager for “exotic” craftsmanship. As such, this vase is not only decorative but a symbol of cultural diplomacy. The fusion of Buddhist symbolism, imperial motifs, and meticulous craftsmanship reflects how Japan asserted its artistic identity in a rapidly globalizing world.